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January
2004 - Issue #16 In This Issue ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ The following tip on firing a crackle and matte glaze together on the same pieces was shared by a reader, K. Bond: One trick I tried when using crackle and copper matte glazes together
that will usually result bringing out the crackle and minimizing the
effects of the copper matte glaze is to use wet newspaper. I place the
piece in the can quickly, as though the piece is all a matte copper glaze.
I then place wet newspaper on the white crackle part of the piece (over
the neck of the vase or on the side/end that is crackle) and then seal the
reduction can. The wet, cool newspaper seems to crackle the glaze as
though it was held out to cool before placing in the can. This will
sometimes result in some of the copper matte going a bit green if the wet
newspaper touches it, but the affect sometimes does enhance the result of
the copper glaze. ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~
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Gary R. Ferguson - Raku Artist (c) Copyright 2006, Gary R. Ferguson |