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June 2006    Issue #39
Published by
Gary R. Ferguson – Raku Artist
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In This Issue  
* While the Smoke Clears
* I’ve seen the light...
* 411 on ITC
* Another Crawling Cause
* N&ked Firing Revisited – Wally Asselberghs
* Raku Links
* Workshops
* Pottery Business Available

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* N&ked Refiring Revisited

by Wally Asselberghs

Some additional feedback on the "refiring N&ked Raku" topic discussed last issue:

I agree with you about not recommending to apply a clear Raku glaze on top of a n&ked Raku surface, and then fire it again. Most likely, the original surface will be burnished to some extent or another, and the Raku glaze will not melt down the way it should normally do on a rougher bisqued surface. Chances are very high that the glaze will peel off later on, completely or partially. Most of the time this is not very aesthetical pleasing.

On the other hand, my personal experience in regard of "carbon burning off if the piece is refired" is a little bit different.


First of all, I always tell students during my workshops that one of the great advantages of n&ked Raku is that you can always start all over again, if the results are not satisfactory after the first firing.


Just remove all remnants of glaze layer and slip layer, and fire again in a bisque kiln.  Not even necessary to fire up to full bisque temperature. When looking through the peephole, most carbon has disappeared around 500° Celcius, and everything is gone once you have passed the 600° Celcius barrier.


I have re-fired a lot of my personal work, even 2 to 3 times, including objects that were made of slabs and scorched together.


One student in Arizona once asked me what would happen if the object was not bisqued again, but a new layer of slip and glaze was just put on top of the original result, and fired again in a second kiln firing. I decided to consider it an experiment, and tried it out at the second day of the workshop.


It turned out really nice.


Though most of the original carbon marks had faded away, you could still see some of the original smoke patterns left behind by the first firing, though quite subdued.
Looked like some kind of patchwork, and certainly opened up some new perspectives.


Though I never tried it again, I kept the idea in the back of my mind for further experiments.

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Raku: A Practical Approach by Steven Branfman

The “nuts and bolts” how-to book of Raku

Order 30% off at: http://www.garyrferguson.com/branfman

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(c) Copyright 2006, Gary R. Ferguson