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August 2006 Issue
#41 In This Issue * Raku in the News – William K. Turner * Pottery Business Available - Utah ~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~-~ * Water Logged Glaze? A reader asked: "In the current issue when describing fixes for crawling you say: 'Using glazes that have been mixed with water for a long period of time can cause another fit problem, especially with glazes that are high in Gerstley Borate. You might try mixing a fresh batch of the problem glaze and see if you get the same result.' Why should mixing with water for a long period of time cause problems? I'm assuming here that you, of course, mix thoroughly before using. And why, in particular, Gerstley Borate? Does it loosely bond with the water, or lose internal water to free water?"
That's a good question. In my experience, I usually see one of two things with a glaze that has been mixed with water for a long period of time (maybe as short as a few hours). It either settles to the bottom and turns into cement that is very difficult to get mixed back up, or it turns into a thick sludge that you have to add more water, to make it useable again. (Gerstley Borate glazes generally fall into the later category) The "cement" glaze generally changes on you because it is so difficult to get it properly mixed again, the formula will change slightly. It may not be much, but can impact the result, plus it is just more work. With the "sludge" glaze, adding more water is what causes the crawling problem. The added water increases the shrinkage of the glaze and can affect the bonding properties of the glaze to the clay body, which is almost the definition of the crawling defect. You can read a bit more about this at: http://www.ceramicsmonthly.com/mustreads/borate.asp In general my pottery production is very sporadic, so I only mix up the amount of glaze I will use at one time and I get more consistent results than using glazes that have been mixed for a longer period of time. ~-~-~ After reading Sue's book I discovered dozens of tips, techniques, and methods of creating Raku beads and jewelry that I never would have thought of. The hundreds of color photos are not only instructional but inspiring as well. There is a new idea to try on almost every page. This book is a gold mine!" http://www.rakubeadjewelry.com ~-~-~
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Gary R. Ferguson - Raku Artist (c) Copyright 2006, Gary R. Ferguson |