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December  2006    Issue #45
Published by
Gary R. Ferguson – Raku Artist
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In This Issue
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In This Issue
* While the Smoke Clears – Holiday Wishes.
* Electric Raku 
* A Chemical by Any Other Name is still a ...
* 3 Ways to Check Your Maturity
* More on Two Halves of the Same Pot
* Matte meet Glossy
* Raku Links
* Workshops 
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* More on Two Halves of the Same Pot 

Red had the following comments on firing pieces with both 
crackle and matte glazes:

Just ideas from my own experiences that might assist Doug, 
the artist who mentioned getting two finishes on the same 
pot after reduction: 

Contact with the combustibles in the reduction chamber can 
often produce different results on parts of my pots than 
other parts. Some artists seem to enjoy the visual 
aftermath of contact with combustibles; I usually do not. 
So, there are 2 things I sometimes use, that limit the 
contact of the newspaper or combustible with the hot pot. 

I have lined the inside of my trashcans with chicken wire 
bought at the local hardware store. I then put newspaper 
shreds between the chicken wire and the trash can, thus 
giving more room for the hot pot and reducing the incidence 
of touch between the pot and the combustible. I leave a few 
strands of newspaper in the very bottom, which ignites and 
catches the newspaper shreds within the chicken 
wire on fire. 

Also, I often put a hard brick in the bottom of the trash 
can to sit the hot pot on. Again, this limits the area of 
the pot that comes into contact with anything but the magic 
going on in the atmosphere within the trashcan. 

Regarding the bubbling effects on half of Doug's pots, is 
it possible that the pot is getting too much or too little 
contact with the flame within the Raku kiln? I've had 
bubbling problems in the Raku kiln due to heat distribution 
problems, but not usually on entire halves of pots. I've 
also had trouble with glazes bubbling due to mixing and 
application, but that doesn't sound like what's happening, 
as Doug mentioned half the pot might bubble. So, again, is 
the kiln getting the same amount of direct heat from the 
Raku fire on both sides of the pot during firing? Is it 
the same side of the pots that is always bubbling, i.e. the 
side of the pot away from the Raku flame? Maybe a more 
experienced reader might know if that is a possibility. I'm 
still in the wondrous guessing stage of learning and 
greatly appreciate the comments and ideas in your 
newsletter.

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(c) Copyright 2006, Gary R. Ferguson